Drama
The true story of the movement to ratify the Equal Rights Amendment, and the unexpected backlash led by a conservative woman named Phyllis Schlafly, aka “the sweetheart of the silent majority.”
Top-rated
Wed,
20 May, 2020
S1.E8Houston
Alice, Rosemary and Pamela cross into enemy territory at the National Women's Conference in Houston, where they come face-to-face with Feminist leaders.
Top-rated
Wed,
15 Apr, 2020
S1.E1Phyllis
Conservative activist Phyllis Schlafly considers another run for Congress, amid the women’s movement’s push for passage of the Equal Rights Amendment.
Cate Blanchett
Phyllis Schlafly
Rose Byrne
Gloria Steinem
Uzo Aduba
Shirley Chisholm
Margo Martindale
Bella Abzug
Tracey Ullman
Betty Friedan
Elizabeth Banks
Jill Ruckelshaus
Sarah Paulson
Alice
John Slattery
Fred Schlafly
Kayli Carter
Pamela
Ari Graynor
Brenda Feigen
Melanie Lynskey
Rosemary Thomson
Jeanne Tripplehorn
Eleanor Schlafly
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User reviews1
Review
Featured review
I was initially drawn to watching this limited series because the early 70s are a fascinating period to me (during which I was a child and have a spotty memory). I'm glad I did commit to the nine episodes, which are mostly 45 minutes to an hour long. First, the performances are amazing. I pretty much expect Cate Blanchett to be terrific in whatever she does, but the depth she brings to Schlafly is very moving. Rose Byrne disappears into Gloria Steinem, the underrated Tracey Ullman is perfect as irascible Betty Friedan, and the always wonderful Margo Martindale is a lot of fun as bellicose Bella Abzug. Second, the story weaves effectively between 6 or so main protagonists through several turbulent years yet it never feels like a "then this happened, then this happened" approach. The writing was smart and emotional. Truly a class A production. Where I felt it could have been better was a little more focus on Shirley Chisholm who seems a little short-changed (ironic, since under-representation vis a vis racism is a recurring issue). Her story is not only important as the first Black woman to run for President less than a decade after the repeal of Jim Crow laws, but clearly analogous to our current political times. Also, I came in expecting a Left Wing screed and while it does weigh more in that direction (Schlafly is seen at best as a tragic anti-hero), it did not come off as ham-fisted agitprop to me. The characters on the other side of the spectrum (most everyone) are also flawed; at times they are bitter, childish, indulgent, petty and surprise surprise even prejudiced. Another part of my enjoyment was the kitsch factor: the clothes, the music, a random reference to "Maude" (how could there not have been) and an amusing (but telling) comment by Friedan on how "Mary" never visits "Rhoda" in her apartment. Definitely recommend this to anyone who is interested in the the era and ERA - despite the dramatic liberties, that cast, and nostalgia for a very different time that feels very familiar still.
Dedoc196729 Nov, 2020
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