Horror
When a charming 12-year-old girl takes on the characteristics and voices of others, doctors say there is nothing they can do. As people begin to die, the girl's mother realizes her daughter has been possessed by the Devil. Her daughter's only possible hope lies with two priests and the ancient rite of demonic exorcism.
Directors
Ellen Burstyn
Chris MacNeil
Linda Blair
Regan MacNeil
Jason Miller
Father Damien Karras
Max von Sydow
Father Lankester Merrin
Lee J. Cobb
Lt. Bill Kinderman
William O'Malley
Father Joseph Kevin Dyer
Kitty Winn
Sharon Spencer
Jack MacGowran
Burke Dennings
Barton Heyman
Dr. Klein
Peter Masterson
Dr. Barringer
Rudolf Schündler
Karl
Gina Petrushka
Willi
Robert Symonds
Dr. Taney
Arthur Storch
Psychiatrist
Vasiliki Maliaros
Mary Karras
Titos Vandis
Uncle John
John Mahon
Language Lab Director
Directors
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User reviews3
Review
Featured review
The Exorcist (1973) is one of those horror films that sticks with you long after the credits roll. It sets itself apart with an eerie, slow-building tension rather than relying on cheap scares. The story follows a young girl who begins exhibiting disturbing behavior, leading her mother to seek help from both medical professionals and, eventually, the church. The plot is simple but highly effective, creating an unsettling atmosphere that feels grounded in reality. It doesn’t waste time on unnecessary subplots, keeping the focus tight and the tension high.
William Friedkin’s direction is masterful, balancing realism with the supernatural in a way that makes everything feel disturbingly possible. The opening in the desert is a great example, setting up the film’s themes with a quiet unease before shifting to the main story. The cinematography reinforces the horror without feeling over-stylized, using dim lighting, tight framing, and cold color tones to build dread. The way the camera lingers just long enough on certain shots makes you feel like you’re watching something you shouldn’t be.
The acting is phenomenal across the board, but the standout performance is from Linda Blair as the possessed girl. She delivers a chilling performance that makes the supernatural feel shockingly real. Ellen Burstyn and Max von Sydow bring depth to their roles, adding weight to the film’s emotional core. The dialogue feels natural, which makes the disturbing moments hit even harder. The script is smartly written, giving just enough exposition without over-explaining, letting the horror unfold naturally.
The sound design and score elevate the entire experience. The use of silence is just as effective as the unsettling sounds that creep in at the right moments. The film’s signature theme, Tubular Bells, is simple yet haunting, perfectly setting the tone for the film. The shock scenes are well-timed and never feel excessive, keeping the horror grounded rather than over-the-top. The Exorcist still holds up today as one of the most well-crafted horror films ever made, blending strong storytelling, unsettling direction, and incredible performances into something unforgettable.
RalphRahal13 Feb, 2025
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Box office
Budget
$12,000,000Gross worldwide
$441,306,145