Romance
Comedy
Drama
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
Directors
Audrey Hepburn
Princess Ann
Gregory Peck
Joe Bradley
Eddie Albert
Irving Radovich
Hartley Power
Mr. Hennessy
Harcourt Williams
Ambassador
Margaret Rawlings
Countess Vereberg
Tullio Carminati
Gen. Provno
Paolo Carlini
Mario Delani
Claudio Ermelli
Giovanni
Paola Borboni
Charwoman
Alfredo Rizzo
Cab driver
Laura Solari
Hennessy's Secretary
Gorella Gori
Shoe Seller
Armando Annuale
Admiral Dancing with Princess (uncredited)
Maurizio Arena
Young Boy with Car (uncredited)
Gildo Bocci
Flower Seller (uncredited)
Andrea Esterhazy
Embassy Aide (uncredited)
George Higgins
Correspondent at Poker Game (uncredited)
Directors
More like this
User reviews3
Review
Featured review
**Considered by many to be the first and greatest film of Audrey Hepburn's career.**
What is special about this film? Really, little. The story is very simple: it is the almost adolescent escape of a young princess who, tired of the responsibilities and visibility inherent in a crown, decides to distract herself and live her youth for a few hours. The problem is that she ends up, inadvertently, at the home of an American news journalist in charge of interviewing her, and who wants to take advantage of the situation. Of course, anyone hoping for an interesting dalliance between the princess and the commoner will be rewarded, to some extent. Predictable? Cliché? Of course, but it was with illusions like these that cinema fed the magic of the monarchical universe, somewhat to its own advantage.
If the story told is not particularly brilliant and stands out for its simplicity and a range of obvious choices and solutions, what are we left with? Scenarios? Costumes? Effects? Sound? Cinematography? In part, yes. The sets are very well done, and the film, which is actually filmed in Rome, is one of the first and best cinema postcards of this city. I still know people who have been to Rome, and been where the characters in the film have been too, such as the Trevi Fountain or the Mouth of the Truth, tourist landmarks that this film helped to popularize. Without major effects, it has a nice and atmospheric sound and soundtrack, and the cinematography, in black and white, is very good. The scenes of the two main characters riding a Vespa through the streets of the city center are particularly anthological. We can also say that the film was wonderfully edited, and the story moves at an elegant and pleasant pace.
But what would this movie be without Audrey Hepburn? I don't think it's possible to imagine the character in the skin of another actress. She had the nobility and dignified serenity required of royalty, and imbued the character with authenticity, credibility, and friendliness. It's impossible to watch the film and not feel a certain sympathetic affection for her character, who simply wants a few hours to distract herself from the institutional routines and duties for which she was educated. Gregory Peck was a clear choice to be the journalist who helps her and creates a certain romantic affection for her.
FilipeManuelNeto16 Jun, 2023
Top picks
TV shows and movies just for you
Box office
Budget
$1,500,000Gross worldwide
$12,000,000











































































