Drama
Thriller
Crime
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
Directors
Anny Ondra
Alice White
Sara Allgood
Mrs. White
Charles Paton
Mr. White
John Longden
Detective Frank Webber
Donald Calthrop
Tracy
Cyril Ritchard
The Artist
Hannah Jones
The Landlady
Harvey Braban
The Chief Inspector
Ex-Det. Sergt. Bishop
The Detective Sergeant
Alfred Hitchcock
Man on Subway (uncredited)
Johnny Ashby
Boy (uncredited)
Joan Barry
Alice White (voice) (uncredited)
Johnny Butt
Sergeant (uncredited)
Phyllis Konstam
Gossiping Neighbour (uncredited)
Sam Livesey
The Chief Inspector (silent version) (uncredited)
Phyllis Monkman
Gossip Woman (uncredited)
Percy Parsons
Crook (uncredited)
Directors
User reviews1
Review
Featured review
I saw the silent version recently with an expertly played piano accompaniment that added loads to an, admittedly rather too long, drama. "Alice" (Anny Ondra) has a silly spat with policeman boyfriend "Frank" (John Longden) and then rather foolishly hooks up with an odious artist (Cyril Ritchard) who attempts to push his luck too far and whom she accidentally, rather brutally, despatches. Terrified that nobody would believe her, and rather than call the authorities, she flees the scene - but not before she is spotted and subsequently has to deal with the venal aspirations of her blackmailer (a perfectly cast Donald Calthrop). Meantime, the police get the wrong end of the stick during their investigation and another tragedy ensues - leaving poor old "Alice" riddled with even more guilt! The one thing that takes a bit of getting used to is the really rather static nature of the photography, but once you adopt a perspective that you are in the same seat (in the cinema) as the cameraman then that actually starts to work quite well as we become more immersed in a solid story of fickleness and deceit. The inter-titles are sparing but do all that is necessary to augment Hitchcock's innate ability to tell us a story using the limited technology available in 1929, that capitalises on light, shade, and the environment around the characters. Somehow, I reckon that the talkie version that followed almost immediately would be anywhere near as effective.
Geronimo196702 Nov, 2023
Box office
Budget
$0Gross worldwide
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