The Law and Jake Wade

1958

1h 26m

IMDb RATING

6.6/10

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Western

Jake Wade breaks Clint Hollister out of jail to pay off an old debt, though it's clear there is some pretty deep hostility between them. They part, and Jake returns to his small-town marshal's job and his fiancée only to find he has been tracked there by Hollister. It seems they were once in a gang together and Jake knows where the proceeds of a bank hold-up are hidden. Hollister and his sidekicks make off into the hills, taking along the trussed-up marshal and his kidnapped bride-to-be to force the lawman to show them where the loot is.

Directors

John Sturges

Writers

Marvin H. Albert(novel by)

William Bowers(screenplay by)

Stars

Robert Taylor

Richard Widmark

Patricia Owens

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Top cast

Jake Wade

Clint Hollister

Peggy

Ortero

Rennie

Wexler

Lieutenant

Burke

Luke

Avery

Directors

Writers

Marvin H. Albert(novel by)

William Bowers(screenplay by)

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Review

Featured review

8/10

More than meets the eye in John Sturges' excellent Oater. Jake Wade, a former thief and gunman is now the town marshal. Out of a need to clear a debt, he breaks a former accomplice of his, Clint Hollister, out of jail, and almost immediately starts to regret it. It seems that Wade hid some monetary spoils out in the hills and Hollister wants his hands on it. So along with his gang, Hollister forces Wade and his fiancée to go out searching for the cash. But not only is there conflict within the group, there is the small matter of the deadly Comanche to worry about as well. The Law And Jake Wade comes with some pretty solid Western credentials from the off. Directed by John Sturges (Gunfight at the O.K. Corral/The Magnificent Seven), starring Richard Widmark (Warlock/The Alamo), Robert Taylor (Saddle The Wind) and photographed by Robert Surtees (Oklahoma!/Escape from Fort Bravo). Widmark is on prime bad guy form as Hollister, and Taylor, who was often accused of being stiff, is perfect foil playing sedate off of Widmark's borderline evil. The cinematography is luscious from Surtees, both Death Valley and The Alabama Hills in California are as imposing as they are beautiful, with Sturges framing his blurry good vs bad characters amongst them to great effect. What action there is {this is primarily a talky picture in reality} is handled adroitly by the wily Stugess, with a Comanche attack on our protagonists in a ghost town, particularly exciting. It's very rare to see arrows and spears glide so gracefully on their path to pain as we do here, all crisply enveloped in MGM's choice of Metrocolor. But really it's with the story itself that the film lifts its being to rank with the better genre offerings. William Bowers' screenplay, adapting from the Marvin H. Albert novel, on the surface looks like a standard good guy-bad guy dovetail piece, but things are purposely left unanswered to fully form the issues (yes you read it right). Is it for nothing that Wade, our law man, the "good" guy, is all in black throughout the piece? With Hollister all shiny in denim blue! Why is the money out buried in the hills after all this time? And come the finale you should be forced into a rethink about the law and all its little peccadilloes. There really is more on offer here if you give it your undivided attention. Some minor itches aside {Patricia Owens love interest looks lost for example}, The Law And Jake Wade is a fine genre piece that deserves better than being called a weekend time filler. 8/10

John Chard20 May, 2017