Drama
Romance
A story of love and life among the landed English gentry during the Georgian era. Mr. Bennet is a gentleman living in Hertfordshire with his overbearing wife and five daughters, but if he dies their house will be inherited by a distant cousin whom they have never met, so the family's future happiness and security is dependent on the daughters making good marriages.
Directors
Keira Knightley
Elizabeth Bennet
Matthew Macfadyen
Mr. Darcy
Brenda Blethyn
Mrs. Bennet
Rosamund Pike
Jane Bennet
Carey Mulligan
Kitty Bennet
Jena Malone
Lydia Bennet
Talulah Riley
Mary Bennet
Donald Sutherland
Mr. Bennet
Simon Woods
Mr. Bingley
Judi Dench
Lady Catherine de Bourgh
Tom Hollander
Mr. Collins
Rupert Friend
Mr. Wickham
Kelly Reilly
Caroline Bingley
Claudie Blakley
Charlotte Lucas
Penelope Wilton
Mrs. Gardiner
Peter Wight
Mr. Gardiner
Sylvester Morand
Sir William Lucas
Pip Torrens
Netherfield Butler
Directors
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User reviews5
Review
Featured review
**Overall, it's a good adaptation, even if it's not free of mistakes and problems.**
I believe that “Pride and Prejudice” is one of the most transported English novels to film and television. I've seen more than one adaptation, and each one has its merits and problems (however, it's generally agreed that the 1995 miniseries is the most perfect and canonical). This film is not as good as I would like it to be, it has several problems, but it is quite acceptable and also has positive notes to retain.
Here, the story we already know so well takes place in the final years of the 18th century. From what I saw, the director wanted to do this to avoid the fashion of the Regency period, which he doesn't like, and taking advantage of the fact that Austen wrote the early version of the book around this time. Well, I can say that I share the thoughts of the director, Joe Wright, when it comes to dresses from the Regency/First French Empire period. Aesthetically, they are much less interesting than the “bridal cakes” of the pre-French Revolution period, or the wide dresses that began to be worn in the Romantic period. The idea of these dresses, which greatly emphasize the woman's chest and then fall straight down like a nightgown, is in a way imitating what the Romans and Greeks were thought to wear. Even so, there are several errors in the way the characters were dressed, arranged, combed and characterized: basically, the director ignored everything that didn't suit him. That was a mistake.
The film is reasonably short for the literary work it brings, but I think it couldn't be otherwise. For the rest, the narrative is decently done, and the adaptation made to the source material is quite conscientious and tries not to cut important things. What I didn't like was the way certain characters were developed: Elizabeth became a wild girl and much less contained than would be supposed in the novel, for example. The rest, however, is quite satisfactory.
The film is full of great British actors: in addition to Keira Knightley, who manages well in the role of protagonist, we also have Rosamund Pike, Brenda Blethyn, Talulah Riley, Jena Malone and Judy Dench. Each did a fairly good job in the role assigned to them. We should also appreciate the work of Matthew MacFadyen, Donald Sutherland, Simon Woods and Tom Hollander. On a technical level, the film invests a lot in good sets, convincing and well-selected shooting locations and good props. The cinematography is also good and does an excellent job throughout the film, with enviable camera work and good colors and lighting. The film also has a good soundtrack.
FilipeManuelNeto14 Mar, 2023
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Box office
Budget
$28,000,000Gross worldwide
$124,604,345














































































