Drama
Romance
A small-town piano teacher is shocked by the arrival of her foster daughter's biological mother, whose young lover soon follows and causes further disruption.
Directors
Inga Landgré
Nelly
Stig Olin
Jack
Marianne Löfgren
Jenny
Dagny Lind
Ingeborg Johnson
Allan Bohlin
Ulf
Ernst Eklund
Edvard
Signe Wirff
Jessie
Svea Holst
Malin
Arne Lindblad
Mayor
Julia Cæsar
Mayor's wife
Margit Andelius
Town accountant's wife at the ball
Mona Geijer-Falkner
Older woman on the train
Wiktor Andersson
Trumpet player
John Melin
Concert flute player at the ball
Siv Thulin
The assistant
Hariette Garellick
Woman in Beauty Salon
Singoalla Lundbäck
Gypsy
Anna-Lisa Baude
Customer in Beauty Salon
Directors
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User reviews1
Review
Featured review
His debut, I know, but I actually found this to one of the more accessible Ingmar Bergman films - maybe that's why it isn't actually that great. It follows the young "Nelly" (Inga Landgré) living with her kindly foster mother "Mutti/Ingeborg" (Dagny Lind) who teaches piano in their small town. This peaceful existence is suddenly turned on it's head, though, when her real mother "Jenny" (Marianne Löfgren) shows up intent on reconciling with her long estranged offspring. She doesn't show up alone - her rather lively and mischievous friend "Jack" (Stig Olin) comes along too, and at a charity ball he and "Nelly" cause a bit of a stir that causes consternation for her friend "Ulf" (Allan Bohlin), gets someone a wetting and causes tongues to wag to such an extent that poor old "Nelly" has to relocate to the city. Things there aren't a bed of roses there either, and pretty soon the young woman must make some difficult choices. This is a solid ensemble effort with decent efforts from all concerned as the rather unlikeable group of characters have to deal with their self-induced and conflicted predicaments. There is a bit of chemistry between Olin and Landgré that at times raises a smile and/or makes you cringe, but for the most part the narrative is a bit wooly - too many people cluttering up a story that somehow lacks focus. Still, I did understand it which is more than I can say for many of this director's later, more impenetrable, works.
Geronimo196728 Nov, 2022
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