Comedy
Drama
Romance
Nikander, a rubbish collector and would-be entrepreneur, finds his plans for success dashed when his business associate dies. One evening, he meets Ilona, a down-on-her-luck cashier, in a local supermarket. Falteringly, a bond begins to develop between them.
Directors
Matti Pellonpää
Nikander
Kati Outinen
Ilona
Sakari Kuosmanen
Melartin
Esko Nikkari
Nikander's Co-Worker
Kylli Köngäs
Ilona's Friend
Pekka Laiho
Store Manager
Jukka-Pekka Palo
Third Man
Svante Korkiakoski
Police Officer
Mari Rantasila
Nikander's Sister
Safka Pekkonen
Pianist
Antti Ortamo
2nd Pianist
Mato Valtonen
Pelle
Sakke Järvenpää
Staffan
Ulla Kuosmanen
Melartin's Wife
Neka Haapanen
Cook
Pentti Koski
Singer
Ari Korhonen
Man in Restaurant
Teuvo Rissanen
Police Officer
Directors
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User reviews1
Review
Featured review
Released in 1986, Aki Kaurismaki's <i>Varjoja paratiisissa</i> (Shadows in Paradise) is one of the Finnish filmmaker's earliest efforts, and it stands as one of the most idiosyncratic romantic comedies of all time. The painfully shy Nikander (Matti Pellonpää), a garbage man, means the moody Ilona, a supermarket checkout girl. The film tracks their bumbling attempt to establish a lasting relationship: dates that end as soon as they've begun, a romantic getaway where they each retreat to separate hotel rooms, and rare conversations which employ the absolute bare minimum of words. Nikander's best and only friend Melartin (Sakari Kuosmanen), whom the garbage man only recently met through a spell in jail, gives some needed encouragement.
The film's soundtrack is rooted in early rock-and-roll, though unlike later Kaurismaki films where the characters seem to be living in a 1950s bubble, all the action takes place in contemporary Helsinki. I've criticized Kaurismaki's vision of Finland in other films, but <i>Varjoja paratiisissa</i> does, in my opinion, accurately depict the collection of gloomy, taciturn binge drinkers that are the Finns.
<i>Varjoja paratiisissa</i> is an early work and doesn't show the confidence of later efforts, but it's still quite entertaining, its leads and their struggles extremely charming, and I would recommend the film. Certainly the performances of Pellonpää (in a typical Pellonpää role) and Outinen (who seemingly reinvents herself in every film) will prove quite memorable.
CRCulver06 Sep, 2018
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