The Vagabond King

1956

1h 26m

IMDb RATING

5.7/10

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Romance

Music

History

Louis XI of France drafts Paris's popular "king" of criminals as Provost Marshal in his fight against usurper Charles of Burgundy and the traitorous nobles who rally around him.

Directors

Michael Curtiz

Writers

Ken Englund(screenplay by)

William H. Post(book by)

Justin Huntly McCarthy(theatre play by)

Stars

Kathryn Grayson

Oreste Kirkop

Rita Moreno

See production, box office & company info

Top cast

Kathryn Grayson

Catherine de Vaucelles

Oreste Kirkop

François Villon (as Oreste)

Huguette

Tristan

King Louis XI

Thibault d'Aussigny

Rene de Montigny

Ferrebouc

Majordomo

Duke of Anjou

Duke of Normandy

Gaoler

Lulu

Lady in Waiting

Soldier

Narrator (voice)

Directors

Michael Curtiz

Writers

Ken Englund(screenplay by)

William H. Post(book by)

Justin Huntly McCarthy(theatre play by)

All cast & crew

Production, box office & more at IMDbPro

I'd love to have been a fly on the wall at the production meeting when Michael Curtiz and Pat Duggan came up with this concept - a sort of "Camelot" meets "Quentin Durward" musical effort that is not as bad as you might think! We have here a lavish looking historical melodrama featuring Maltese tenor Oreste Kirkop as "Villon", a popular fellow amongst the people who is elected "King of the Vagabonds". Meantime the real King, Louis XI (Walter Hampden), advised by his sagely counsellor "Tristan" (Sir Cedric Hardwicke with hair!) must battle the potential usurper Duke of Burgundy (Tom Duggan) and his rather foppish sidekick "Thibault" (Leslie Nielsen). The action is interspersed by quite frequent little arias that demonstrate that our street-wise hero most certainly has a great voice; limited only by a rather poor libretto - there are only so many things that rhyme with Burgundy. The action scenes provide for plenty of colourful costumes, swash and buckle and it's decently paced with plenty of familiar faces - Jack Lord, Rita Moreno and a rather under-utilised Kathryn Grayson to prop it up nicely. Though it isn't anywhere near as good as "If I Were KIng" (1938) upon which it appears to be based, money has been spent here and it looks good even if the writing and dialogue are poor and many of the scenes pretty heavily staged. Don't write it off, though - if you like the genre then it is still worth a watch, and there's no sign of Howard Keel!

Geronimo196710 Feb, 2023