Point Blank

1967

1h 31m

IMDb RATING

7.0/10

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62 Images

Crime

Thriller

Drama

After being double-crossed and left for dead, a mysterious man named Walker single-mindedly tries to retrieve the rather inconsequential sum of money that was stolen from him.

Directors

John Boorman

Writers

Donald E. Westlake(novel by)

Alexander Jacobs(screenplay by)

Rafe Newhouse(screenplay by)

Stars

Lee Marvin

Angie Dickinson

Keenan Wynn

See production, box office & company info

Videos2

Trailer
Watch Point Blank (1967) - trailer
Featurette
Watch John Landis on POINT BLANK

Top cast

Walker

Chris

Yost

Brewster

Frederick Carter

Stegman

Mal Reese

Lynne

Hired Gun

Waitress

Mrs. Carter

First Citizen

Carter's Man

Car Salesman

Girl Customer

1st Penthouse Lobby Guard

Michael Bell

2nd Penthouse Lobby Guard

Priscilla Boyd

Receptionist

Directors

John Boorman

Writers

Donald E. Westlake(novel by)

Alexander Jacobs(screenplay by)

Rafe Newhouse(screenplay by)

All cast & crew

Production, box office & more at IMDbPro

You're a very bad man, Walker, a very destructive man! Point Blank is directed by John Boorman and collectively adapted to screenplay by Alexander Jacobs, David Newhouse and Rafe Newhouse from the novel The Hunter written by Richard Stark. It stars Lee Marvin, Angie Dickinson, Keenan Wynn, Carroll O'Connor, Lloyd Bochner and Michael Strong. Music is by Johnny Mandel and the Panavision cinematography (in Metrocolor) is by Philip H. Lathrop. Betrayed by wife and friend during a robbery, Walker (Marvin) is left dying on a stone cold cell floor at closed down Alcatraz... Pure neo-noir, a film that could be argued was ahead of its time, given that it wouldn't find a fan base until many years later. Yet it deserves to be bracketed as a benchmark for the second phase of noir, a shining light of the neo world, experimenting with techniques whilst beating a true film noir heart. The story is deliciously biting, pumped full of betrayals and double crosses, fatales and revenge, death and destruction. It even has a trick in the tale, ambiguity. It all plays out in a boldly coloured Los Angeles, the photography sparkles as Mandel lays an elegiacal and haunting musical score over the various stages of the drama. The talented Boorman has a field day with the elements of time, shunting various strands of the story around with sequences that at first glance seem out of place, but actually are perfect in context to what is narratively happening, the director gleefully toying with audience expectations. While suffice to say angles are tilted and close ups broadened to further style the pic. Then there is Walker, a single minded phantom type character, played with grace and menace by Marvin - who better to trawl the Los Angeles underworld with than Marv? This guy only wants what he is owed from the robbery, nothing more, nothing less, but if the meagre reward is not forthcoming, people are going to pay with something more precious than cash. His mission is both heroic and tragic, with Boorman asking the viewers to improvise their thought process about what it all inevitably means. Funding the fuel around Marvin are good players providing slink, sleaze and suspicion. Deliberate pacing isn't for everyone, neither is stylised violence and stylish directorial trickery, but for those who dine at said tables, Point Blank, and Walker the man, is for you. 9/10

John Chard22 Aug, 2015