High Fidelity

2000

1h 53m

IMDb RATING

7.1/10

2.1K

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47 Images

Drama

Comedy

Romance

Music

After his long-time girlfriend dumps him, a thirty-year-old record store owner seeks to understand why he is unlucky in love while recounting his "top five breakups of all time".

Directors

Stephen Frears

Writers

Steve Pink(screenplay by)

D.V. DeVincentis(screenplay by)

Scott Rosenberg(screenplay by)

Stars

John Cusack

Iben Hjejle

Todd Louiso

See production, box office & company info

Top cast

Rob Gordon

Laura

Dick

Barry Judd

Marie DeSalle

Charlie Nicholson

Liz

Ian Raymond

Vince

Justin

Sarah Kendrew

Penny Hardwick

Natasha Gregson Wagner

Caroline Fortis

Alison Jr. High

Rob Jr. High

Laura's Mom

Anaugh Moss

Barry's Customer

Directors

Stephen Frears

Writers

Steve Pink(screenplay by)

D.V. DeVincentis(screenplay by)

Scott Rosenberg(screenplay by)

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Production, box office & more at IMDbPro

What came first - the music or the misery? High Fidelity is directed by Stephen Frears and adapted to screenplay by D.V. DeVincentis, Steve Pink, John Cusack and Scott Rosenberg from the Nick Hornby novel. It stars Cusack, Jack Black, Iben Hjejle and Todd Louiso. Music is by Howard Shore and Cinematography by Seamus McGarvey. Record store owner and compulsive list-compiler Rob Gordon (Cusack), embark's upon a what does it all mean mission when his latest girlfriend leaves him. Cusack and Pink take Hornby's hugely popular novel and redirect it to Chicago, with joyous results. High Fidelity is a tale of human love and a love of music, a sort of battle of the sexes with a soundtrack of masculine life. Rob's voyage of self discovery is highly amusing, the trials and tribulations of relationships bringing out a number of scenes and scenarios that ring true, not just tickling the funny bones, but also tugging the heart and cradling the brain. Away from the doomed love angles it's the music threads that literally strike the chords. Rob and his two co-workers Barry (Black) & Dick (Louiso) worship music and continually indulge in making top 5 lists whilst bickering with sarcastic glee in the process. All three actors are superb, a trio of odd balls bouncing off of one and other with a zest that's infectious, though it's decidedly Cusack's show. A perpetual miserablist who addresses us the audience at frequent intervals, Rob in Cusack's hands garners sympathy, pity and laughs in equal measure. In the support slots is a ream of talent well in on the joke, beauties like Catherine Zeta-Jones (dropping F-Bombs like they are going out of fashion), Lisa Bonet & Joelle Carter are complimented by the comic skills of Joan Cusack, while Hjejle turns in a wily and womanly performance as the girlfriend who kicks starts Rob's search for meaning. Elsewhere the sight of Tim Robbins as a new age hippy type - with a black belt in martial arts - is so much fun it reminds of what a good comic actor he can be as well. As with Grosse Point Blank, another Cusack/Pink production, sound tracking is everything, and naturally given the setting of the story there is an abundance of classic tunes to delight in. All told it's a special movie, for all sexes and for all music lovers, but especially for anyone who has had relationship problems. Now what did come first, the music or the misery? Priceless. 9/10

John Chard06 Jul, 2015