Drama
In 1890 Paris, Moulin Rouge is a nightclub where crippled artist Toulouse-Lautrec feels like he fits in. In the following years, he meets two women who provide an opportunity for him to find true love.
Directors
José Ferrer
Henri de Toulouse-Lautrec
Zsa Zsa Gabor
Jane Avril
Suzanne Flon
Myriamme Hayam
Claude Nollier
Countess de Toulouse-Lautrec
Katherine Kath
Louise Weber aka La Goulue
Muriel Smith
Aicha
Mary Clare
Madame Loubet
Walter Crisham
Valentin le Desossé
Harold Kasket
Charles Zidler
Jim Gérald
Le Père Cotelle
Georges Lannes
Sgt. Balthazar Patou
Lee Montague
Maurice Joyant
Maureen Swanson
Denise de Frontiac
Tutte Lemkow
Aicha's Partner
Jill Bennett
Sarah
Theodore Bikel
King Milo IV of Serbia
Peter Cushing
Marcel de la Voisier
Charles Carson
Count Moïse de Camondo
Directors
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User reviews1
Review
Featured review
Rushing to meet his returning father, the young Henri de Toulouse-Lautrec takes a tumble down their elegant marble staircase and that leaves him with broken legs that will stunt his growth. Struggling to come to terms with his disability, he (José Ferrer) turns to a more Bohemian life in Paris where he makes a decent living as an artist whilst frequenting the world famous "Moulin Rouge" where he feels entirely at home amongst the dancers, creative and debauched types. The story here doesn't so much feature on his artistic talents, but more on the two loves of his life. The first is "Marie" (Colette Marchand) who makes a living as a lady of the night, and with whom he has at best a rocky sort of relationship. The second is the more sophisticated but troubled "Myriamme" (Suzanne Flon). His life is now in a maelstrom of turmoil from which he (or we) can see no obvious path of escape. This is quite a showcase for the on-form Ferrer whose naturally understated style of performing works well here with both Marchand and Flon. The writing is succinct and allows the contrasting nature of his relationships - not just with the women in his life, but with his family too - to develop effectively, if at times a little too slowly. It's Zsa Zsa Gabor who rather let's the side down. I was never quite sure what her talents were - but singing and/or dancing can't really be said to be amongst them as her musical numbers fall pretty flat. Still, the costumier and production designers give a vibrancy and authenticity to the look of this film and Georges Auric goes to town on a score that complements the whole thing in a lively, even stirring, fashion. It's not an history so don't expect any sort of meaningful chronology of the man's life or work - it's more of a soap. A classily designed and well acted one, but a Pernod-soaked soap nonetheless.
Geronimo196722 Mar, 2024
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Budget
$1,500,000Gross worldwide
$0