Comedy
Drama
Mystery
Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.
Directors
Writers
Krzysztof Piesiewicz(screenplay by)
Krzysztof Kieślowski(screenplay by)
Agnieszka Holland(story consultant by)
Zbigniew Zamachowski
Karol Karol
Julie Delpy
Dominique
Janusz Gajos
Mikołaj
Jerzy Stuhr
Jurek
Grzegorz Warchoł
Elegant
Jerzy Nowak
Old Peasant
Aleksander Bardini
Notary
Cezary Harasimowicz
Inspector
Jerzy Trela
Monsieur Bronek
Cezary Pazura
Exchange Office Owner
Michel Lisowski
Interpreter
Piotr Machalica
Man under the Exchange Office
Barbara Dziekan
Mrs. Ewa
Marzena Trybała
Mariott Employee
Francis Coffinet
Bank Clerk
Yannick Evely
Metro Clerk
Jacques Disses
Dominique's Lawyer
Directors
Writers
Krzysztof Piesiewicz(screenplay by)
Krzysztof Kieślowski(screenplay by)
Agnieszka Holland(story consultant by)
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User reviews2
Review
Featured review
**I liked it, but the script seems a little too far-fetched.**
Of the three films in Krzysztof Kieslowski's “color trilogy”, this is perhaps the closest to comedy. The plot begins with a couple's divorce: he is Polish and went to France because of her, who is French. Both got married, set up a common life, but the truth is that the couple's sex life is nil, he is not capable of consummating the act. He's not impotent, he's not homosexual, he just seems intimidated by the moment. Not satisfied with that, she keeps the goods, takes everything from her misfortunate ex-husband and threatens him. Living on the street, with no money and no life prospects, he decides to return to Warsaw in his own suitcase. After a while, he is a rich man. He's not an honest man, he didn't make his money in the most innocent way, but the movie ignores the morality around that. It's time to make the little Frenchy pay for what she did to him, and pay dearly.
Let's go first to the points that I liked the most about this film: on a technical level, it's an impeccable work of art. The director is meticulous, he thinks of the smallest details and wants everything the way he envisioned it. The color white is omnipresent throughout the film, as it was in “Blue”. The cinematography is remarkable, and the construction of the sets and costumes is quite good. Despite being elegant, the music really accentuates the dark comic vein of the film, which works very well. The work of the two main actors, Zbigniew Zamachowski and Julie Delpy, is also very good. He, however, gains more visibility not only for being the protagonist, but for the very ironic and pleasantly funny way in which the character was developed. Delpy's role is not as rich, nor as interesting, but the actress manages herself well.
The biggest problem I had with this film is the near-absolute unlikelihood of the script. In addition to the protagonist making money very easily without apparently any problems or harmful consequences, he is very much torn between love and revenge. On the one hand, it's obvious that he's never forgotten his ex-wife, that he loves her, despite all the bad things she's done and all the difficult situations he's been through to him because of her actions. He just doesn't seem to be able to hate her. On the other hand, he hates her enough to make her pay for everything, and in a very original way. What are we left with? Revenge without hate?
FilipeManuelNeto10 Feb, 2023
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Box office
Budget
$0Gross worldwide
$1,273,525


































































