Drama
Max is a 25-year-old freelance writer and aspiring novelist who seems well on his way to success in London’s cultural spheres. Yet by night, he finds a different kind of exhilaration as a sex worker with the pseudonym Sebastian, meeting men via an escorting platform. Max uses his experiences as Sebastian to fuel his stories and the worthy debut novel that he has been longing to write, finally seems within reach.
Directors
Hiftu Quasem
Amna
Jonathan Hyde
Nicholas
Ingvar E. Sigurðsson
Daniel
Dylan Brady
Joel
Pedro Minas
Oliver
Matthias Moret
Jacopo
Akbar Kurtha
Samir
Laurent Maria
Carlo
Lara Rossi
Claudia
Michael Jean-Marain
James
David Nellist
Peter
Leanne Best
Dionne
Stella Gonet
Anne
Jamie Melrose
Rebecca
Fleur Keith
Joan
Marcus Macleod
Stuart
Orlando Norman
Theo
Directors
More like this
User reviews2
Review
Featured review
“Max” (Ruaridh Mollica) juggles a career as an aspiring journalist and novelist with charging £200 per hour selling his services as an escort to, mainly, older men. His boyish good looks and obvious inexperience at the latter makes him popular and he proves successful enough to use his varied experiences to form the basis of his book. His publisher likes the freshness and intimacy of the adventures of “Sebastian” but a rather self-induced setback at work forces a change to the dynamic of both his life and his work. Though there is the odd sex scene to enliven the drama, the rest of this is all a rather shallow investigation of the high-end comfort market and whilst Mollica is easy enough on the eye his performance over-relies on that and is quite lacklustre. The story itself has quite a few gaps that don’t quite add up; timelines don’t quite track and by the conclusion I actually thought that instead of offering us some sort of critical observation of an industry that transcends just about every aspect of society, we ended up with more of a rather exploitative - cruel, even, character about whom I really didn’t care so much after a while. Jonathan Hyde brings a bit of (rather sad) nuance to the proceedings but Ingvar Sigurdsson’s “Daniel” seemed just too Jekkyl and Hyde to be plausible at quite a crucial juncture in the young man’s increasingly light-weight story. Rather than a movie, this might have made for a better three-part drama that could have focussed a little more cohesively on the aspects of his life, love and self-evaluation but as it is, it’s all too bitty. Worth a watch, but not what it could have been.
Geronimo196705 Apr, 2025
Top picks
TV shows and movies just for you
Box office
Budget
$0Gross worldwide
$0









































































